{"id":11059,"date":"2025-03-11T16:34:34","date_gmt":"2025-03-11T15:34:34","guid":{"rendered":"https:\/\/lechappeeclose.it\/produit\/%product_cat_slug%\/cinematisme-peinture-et-cinema\/"},"modified":"2025-07-17T11:29:25","modified_gmt":"2025-07-17T09:29:25","slug":"cinematisme-peinture-et-cinema","status":"publish","type":"product","link":"https:\/\/lechappeeclose.it\/it\/boutique\/livres\/arts\/cinema\/cinematisme-peinture-et-cinema\/","title":{"rendered":"Cin\u00e9matisme: Peinture et cin\u00e9ma"},"content":{"rendered":"
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Dans les milliers de pages o\u00f9 se d\u00e9ploie la r\u00e9flexion th\u00e9orique et esth\u00e9tique du r\u00e9alisateur sovi\u00e9tique Serguei Eisenstein, l’analyse des productions symboliques de toutes \u00e9poques et de tous domaines – beaux-arts, architecture, litt\u00e9rature, po\u00e9sie, th\u00e9\u00e2tre, photographie, bande dessin\u00e9e, caricatures de presse, graffitis, etc. – occupe une place centrale. L’auteur du Cuirass\u00e9 Potemkine et d’Ivan le terrible (deux des sept films qu’il acheva) commen\u00e7a par \u00eatre d\u00e9corateur et metteur en sc\u00e8ne de th\u00e9\u00e2tre dans le milieu de l’avant-garde russe, s’adonnant \u00e0 une intense activit\u00e9 graphique, et il contribua, au-del\u00e0 du cin\u00e9ma, \u00e0 \u00e9difier une esth\u00e9tique g\u00e9n\u00e9rale qu’il envisageait au croisement de la s\u00e9miologie et de l’anthropologie. Dans son enseignement comme dans ses \u00e9crits et ses multiples notes, il s’interrogea sur la place des images dans la culture contemporaine en lien avec les mutations technologiques qui les produisent et les mouvements sociaux. Pr\u00e9lev\u00e9 au sein de cette oeuvre, rest\u00e9e en grande partie in\u00e9dite \u00e0 la mort du cin\u00e9aste, ce livre propose un ensemble coh\u00e9rent de textes qui, au sujet du Greco, de Delaunay, d’Orozco ou d’Outamaro, du Bernin \u00e0 de Rodin notamment, d\u00e9finissent une m\u00e9thodologie de l’analyse iconique en utilisant le cin\u00e9ma comme outil et, inversement, en confrontant celui-ci \u00e0 une \u00ab cin\u00e9matographie sans cin\u00e9ma \u00bb. Ce qu’il appelle le cin\u00e9matisme. Il en ressort une approche qui rompt avec l’analyse formelle interne des oeuvres en pla\u00e7ant le spectateur – corps en mouvement au regard mobile -, au centre de l’analyse.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Dans les milliers de pages o\u00f9 se d\u00e9ploie la r\u00e9flexion th\u00e9orique et esth\u00e9tique du r\u00e9alisateur sovi\u00e9tique Serguei Eisenstein, l’analyse des productions symboliques de toutes \u00e9poques et de tous domaines – beaux-arts, architecture, litt\u00e9rature, po\u00e9sie, th\u00e9\u00e2tre, photographie, bande dessin\u00e9e, caricatures de presse, graffitis, etc. – occupe une place centrale. L’auteur du Cuirass\u00e9 Potemkine et d’Ivan le […]<\/p>","protected":false},"featured_media":11893,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[40],"product_tag":[],"class_list":{"0":"post-11059","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-cinema","8":"first","9":"instock","10":"taxable","11":"shipping-taxable","12":"purchasable","13":"product-type-simple"},"yoast_head":"\nCin\u00e9matisme: Peinture et cin\u00e9ma - l'\u00e9chapp\u00e9e close<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lechappeeclose.it\/it\/boutique\/livres\/arts\/cinema\/cinematisme-peinture-et-cinema\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cin\u00e9matisme: Peinture et cin\u00e9ma - l'\u00e9chapp\u00e9e close\" \/>\n<meta property=\"og:description\" content=\"Dans les milliers de pages o\u00f9 se d\u00e9ploie la r\u00e9flexion th\u00e9orique et esth\u00e9tique du r\u00e9alisateur sovi\u00e9tique Serguei Eisenstein, l’analyse des productions symboliques de toutes \u00e9poques et de tous domaines – beaux-arts, architecture, litt\u00e9rature, po\u00e9sie, th\u00e9\u00e2tre, photographie, bande dessin\u00e9e, caricatures de presse, graffitis, etc. – occupe une place centrale. 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