{"id":3748,"date":"2025-01-30T17:23:36","date_gmt":"2025-01-30T16:23:36","guid":{"rendered":"https:\/\/lechappeeclose.it\/produit\/limage-mouvement\/"},"modified":"2025-02-18T14:44:34","modified_gmt":"2025-02-18T13:44:34","slug":"limage-mouvement","status":"publish","type":"product","link":"http:\/\/lechappeeclose.it\/it\/boutique\/livres\/arts\/cinema\/limage-mouvement\/","title":{"rendered":"L’image-mouvement"},"content":{"rendered":"

Cette \u00e9tude n’est pas une histoire du cin\u00e9ma, mais un essai de classification des images et des signes tels qu’ils apparaissent au cin\u00e9ma. On consid\u00e8re ici un premier type d’image, l’image-mouvement, avec ses vari\u00e9t\u00e9s principales, image-perception, image-affection, image-action, et les signes (non linguistiques) qui les caract\u00e9risent. Tant\u00f4t la lumi\u00e8re entre en lutte avec les t\u00e9n\u00e8bres, tant\u00f4t elle d\u00e9veloppe son rapport avec le blanc. Les qualit\u00e9s et les puissances tant\u00f4t s’expriment sur des visages, tant\u00f4t s’exposent dans des ” espaces quelconques “, tant\u00f4t r\u00e9v\u00e8lent des mondes originaires, tant\u00f4t s’actualisent dans des milieux suppos\u00e9s r\u00e9els. Les grands auteurs de cin\u00e9ma inventent et composent des images et des signes, chacun \u00e0 sa mani\u00e8re. Ils ne sont pas seulement confrontables \u00e0 des peintres, des architectes, des musiciens mais \u00e0 des penseurs. Il ne suffit pas de se plaindre ou de se f\u00e9liciter de l’invasion de la pens\u00e9e par l’audio-visuel ; il faut montrer comment la pens\u00e9e op\u00e8re avec les signes optiques et sonores de l’image-mouvement, et aussi d’une image-temps plus profonde, pour produire parfois de grandes oeuvres.<\/p>","protected":false},"excerpt":{"rendered":"

Cette \u00e9tude n’est pas une histoire du cin\u00e9ma, mais un essai de classification des images et des signes tels qu’ils apparaissent au cin\u00e9ma. On consid\u00e8re ici un premier type d’image, l’image-mouvement, avec ses vari\u00e9t\u00e9s principales, image-perception, image-affection, image-action, et les signes (non linguistiques) qui les caract\u00e9risent. Tant\u00f4t la lumi\u00e8re entre en lutte avec les t\u00e9n\u00e8bres, […]<\/p>","protected":false},"featured_media":9650,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[40],"product_tag":[],"class_list":["post-3748","product","type-product","status-publish","has-post-thumbnail","product_cat-cinema","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"\nL'image-mouvement - l'\u00e9chapp\u00e9e close<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/lechappeeclose.it\/it\/boutique\/livres\/arts\/cinema\/limage-mouvement\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L'image-mouvement - l'\u00e9chapp\u00e9e close\" \/>\n<meta property=\"og:description\" content=\"Cette \u00e9tude n’est pas une histoire du cin\u00e9ma, mais un essai de classification des images et des signes tels qu’ils apparaissent au cin\u00e9ma. 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