{"id":3463,"date":"2025-01-30T15:32:15","date_gmt":"2025-01-30T14:32:15","guid":{"rendered":"https:\/\/lechappeeclose.it\/produit\/manet-degas-catalogue\/"},"modified":"2025-01-30T15:32:15","modified_gmt":"2025-01-30T14:32:15","slug":"manet-degas-catalogue","status":"publish","type":"product","link":"http:\/\/lechappeeclose.it\/it\/boutique\/livres\/arts\/beaux-arts\/manet-degas-catalogue\/","title":{"rendered":"Manet\/Degas: Catalogue"},"content":{"rendered":"<p>The first publication on the personal and professional relationship between Manet and Degas, two giants of nineteenth-century French artFriends, rivals, and at times antagonists, Edouard Manet and Edgar Degas maintained a pictorial dialogue throughout their lives as they both worked to define the painting of modern urban life. Manet\/Degas, the first book to consider their careers in parallel, investigates how their objectives overlapped, diverged, and shaped each other&#8217;s artistic choices. Enlivened by archival correspondence and records of firsthand accounts, essays by American and French scholars take a fresh look at the artists&#8217; family relationships, literary friendships, and interconnected social and intellectual circles in Paris; explore their complex depictions of race and class; discuss their political views in the context of wars in France and the United States; compare their artistic practices; and examine how Degas built his personal collection of works by Manet after his friend&#8217;s premature death. An illustrated biographical chronology charts their intersecting lives and careers. This lavishly illustrated, in-depth study offers an opportunity to reevaluate some of the most canonical French artworks of the nineteenth century, including Manet&#8217;s Olympia, Degas&#8217;s The Absinthe Drinker, and other masterworks.<\/p>","protected":false},"excerpt":{"rendered":"<p>The first publication on the personal and professional relationship between Manet and Degas, two giants of nineteenth-century French artFriends, rivals, and at times antagonists, Edouard Manet and Edgar Degas maintained a pictorial dialogue throughout their lives as they both worked to define the painting of modern urban life. 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